Mozart and da Ponte first met in Vienna in 1783. Leporello tells them that Giovanni has met his end. For Mozart, it was an unusually intense work, and it was not entirely understood in his own time. The garden of the Commendatore's house in Seville, Spain. The Commendatore challenges Giovanni to a duel and is killed. She is certain he will be punished. He orders Leporello to prepare a party. Get a Britannica Premium subscription and gain access to exclusive content. DM's opera site. Zerlina finds Masetto and comforts him. Edda Moser, Kiri Te Kanawa and Teresa Berganza played the three ladies in the opera. Der totgeglaubte Komtur erscheint. [13], Legend says the performance in Vienna ended with Don Giovanni going to Hell. [10], Mozart wrote most of Don Giovanni in the summer of 1787 in Vienna. "Don Giovanni" is a very great, but difficult opera. Anna and Ottavio meet Don Giovanni. Their film is a busy, disorienting spectacle, superbly sung ... ", The Earl of Harewood writes: "Don Giovanni is too full of arias, many of them famous, for its own dramatic good. Don Giovanni, ein Adliger und Wüstling, versucht, Donna Anna zu verführen, indem er sich als ihr Verlobter ausgibt. Das Libretto schrieb Lorenzo da Ponte. A nearby street. Richard Wagner bezeichnete Don Giovanni als “die Oper aller Opern“. A street in Seville. A VERSION INCLUDING ENGLISH SUBTITLES WILL SOON BE AVAILABLE. Scene 1. A garden at Don Giovanni's palace. 1985: Samuel Ramey (Don Giovanni), Anna Tomowa-Sintow (Donna Anna), Agnes Baltsa (Donna Elvira), Kathleen Battle (Zerlina), Gösta Winbergh (Don Ottavio), Ferruccio Furlanetto (Leporello), Alexander Malta (Masetto), Paata Burchuladze (Commendatore); Chor der Deutschen Oper Berlin, Berliner Philharmoniker, 1990: William Shimell (Don Giovanni), Cheryl Studer (Donna Anna), Carlo Vaness (Donna Elvira), Susanne Mentzer (Zerlina), Frank Lopardo (Don Ottavio), Samuel Ramey (Leporello), Natale de Carolis (Masetto), Jan-Hendrik Rootering (Commendatore); Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Riccardo Muti - (EMI Classics), 1990: Thomas Allen (Don Giovanni), Sharon Sweet (Donna Anna), Karita Mattila (Donna Elvira), Marie McLaughlin (Zerlina), Francisco Araiza (Don Ottavio), Simone Alaimo (Leporello), Claudio Otelli (Masetto), Robert Lloyd (Commendatore); Ambrosian Opera Chorus, Academy of St. Martin-in-the-Fields, Neville Marriner - (Philips), 1994: Rodney Gilfry (Don Giovanni), Luba Orgonasova (Donna Anna), Charlotte Margiono (Donna Elvira), Eirian James (Zerlina), Christoph Prégardien (Don Ottavio), Ildebrando D'Arcangelo (Leporello), Julian Clarkson (Masetto), Andrea Silvestrelli (Commendatore); Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner - (Archiv Produktion), 1996: Bryn Terfel (Don Giovanni), Renée Fleming (Donna Anna), Ann Murray (Donna Elvira), Monica Groop (Zerlina), Herbert Lippert (Don Ottavio), Michele Pertusi (Leporello), Roberto Scaltriti (Masetto), Mario Luperi (Commendatore); London Voices, London Philharmonic Orchestra, Georg Solti - (Decca), 1997: Simon Keenlyside (Don Giovanni), Carmela Remigio (Donna Anna), Soile Isokoski (Donna Elvira), Patrizia Pace (Zerlina), Uwe Heilmann (Don Ottavio), Bryn Terfel (Leporello), Ildebrando D'Arcangelo (Masetto), Matti Salminen (Commendatore); Coro Di Ferrara Musica, Chamber Orchestra of Europe, Claudio Abbado - (Deutsche Grammophon). Find tickets The Opera House Wellington - Wellington, NZWellington Opera - Mozart's opera Don GiovanniApr 22 7:30 PM. The final scene for Anna, Elvira, Zerlina, Ottavio, Masetto, and Leporello was probably cut. Even the abundance of Mozart’s catchy melodies alone would be enough to make it a classic. Using Leporello as a shield, Giovanni escapes. Singers demanded them, the public expected them; and of course the aria ... is a potent operatic weapon, the moment for the composer to comment in depth on the drama he has set going. The guests are having a gay time. Ottavio, Anna, and Elvira unmask and threaten Giovanni, who disarms Ottavio with his sword and keeps the mob away. Find tickets. She thinks he is Don Giovanni. Mozart wanted to keep the same librettist, da Ponte, for the new work. Ihre Spende nicht Steuerbegünstigt "Bouquet fürs Leben" Seit 1999 Kultur … With James Morris, Joan Sutherland, John Brecknock, Julia Varady. DON GIOVANNI He, Kaffee! "[15], He points to Ottavio's "Il mio tesoro", his "Dalla sua pace", and Anna's "Non mi dir" as each being a "magnificent opportunity for singer", but wonders how much they actually contribute to the drama. Ring in the new year with a Britannica Membership, https://www.britannica.com/topic/Don-Giovanni-opera-by-Mozart. He heartily welcomes the masked trio as they come in. The voice is coming from a statue of the murdered Commendatore. Don Giovanni-Comp Opera Mozart, W.A. Donna Elvira gehört bereits der Vergangenheit an, Donna Anna wird in ihrem Schlafgemach überrascht und Zerlina soll gar an ihrem Hochzeitstag verführt werden. Inside the ballroom of Don Giovanni’s castle. A street. Scene 4. Oper, Oratorium, Singspiel; Wolfgang Amadeus Mozart: Don Giovanni auf 3 CDs Wolfgang Amadeus Mozart: Don Giovanni Wolfgang Amadeus Mozart (1756-1791) Don Giovanni Eberhard Waechter, Joan Sutherland, Elisabeth Schwarzkopf, Philharmonia Orchestra, Carlo Maria Giulini. The manager of the opera house hired Mozart to write an opera for Prague. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Don Giovanni was performed across Europe after its success in Prague. Mozart started work on this new opera. Mozart's opera Don Giovanni follows the adventures of the rougish, womanising Giovanni, mixing comedy, tragedy and drama with the supernatural 1. Don Giovanni – zwischen Bewunderung und Verdammung wird er von Mit- und Nachwelt stilisiert: zum sinnlichen Verführer, gefühllosen Zyniker, todbringenden Dämon, triebgesteuerten Egoisten, traurigen Engel oder zur stolzen Verkörperung menschlicher Selbstverwirklichung. Suddenly, Giovanni and Donna Anna rush out of the palace. Although there were hurdles and delays in bringing the opera to the stage, Don Giovanni was a great success in Prague and remained in the repertoire there for years. Opening night : 11 June 2019. (Artist) Format: Audio CD. THIS OPERA IS PRESENTED WITH FRENCH SUBTITLES. Join us for our first revival – starring Douglas Williams as Don Giovanni – in the gorgeous Ed Mirvish Theatre. Don Giovanni [1] is an Italian opera in two acts. Elvira begs him to repent and change his way of life before it is too late. Viva la libertà – es lebe die Freiheit heißt es in Don Giovanni, in Mozarts genialer Oper aus dem Jahre 1787. I've seen better descents into hell at our own Metropolitan Opera and in any number of Hammer horror pictures. These arias contribute to the drama and move it forward. George Grantham Bain Collection/Library of Congress, Washington, D.C. (LC-DIG-ggbain-35688) The three—Anna, Ottavio, and Elvira—are determined to expose Giovanni to everyone. Don Ottavio gibt sich entschlossen, Don Giovanni selbst stellen zu wollen, und bittet die andern, sich bis dahin um Donna Anna zu kümmern. Don Giovanni trifft unfreiwillig eine alte Eroberung – Donna Elvira. Don Juan, ein Verführer, ein Libertin und Freigeist, der in Radikalität und Risikofreudigkeit über Gesetz und moralischen Verpflichtungen zu stehen scheint, polarisiert und fasziniert bis heute. It tells the two that justice is near. Don Giovanni has failed to seduce Donna Anna. Don Giovanni On March 15, 1977, the Met presented the inaugural performance of its Live from the Met series of opera telecasts—a Peabody Award–winning program that would run on public television for more than 25 years. She tells him that her sorrow is so deep that she can think only of her dead father. Veranstalter KölnMusik GmbH Ausdrucken; Abonnements und Angebote. Don Giovanni and Leporello make jokes about Elvira. “… a cast who sings like angels, acts like devils and thoroughly explores all the spiritual terrain in between.” – Toronto Star. He married her, and then left her. The opera was popular in France, in both Italian and French versions. Please select which sections you would like to print: Corrections? Flames rise, and demons scream. Music lovers in Vienna had heard good reports of Don Giovanni. In Vienna, Mozart asked da Ponte for a libretto. It was performed in the United States in 1826, staged by da Ponte himself. It is about the character better known as Don Juan.The music was written by Wolfgang Amadeus Mozart.The libretto was written by Lorenzo da Ponte.The opera was first performed at the National Theatre in Prague on 29 October 1787. They hide as she rages at her betrayal at the hands of a scoundrel who had seduced and then deserted her (“Ah! ACT I. Spain. [12] Mozart's sister-in-law Aloysia Lange sang Donna Anna. Her father appears, brandishing a sword, and challenges Giovanni to a duel; Anna runs to get help. ‘Don Giovanni is pure evil’: Seljan Nasibli on her fascination with Mozart’s opera Don Giovanni is brutal but funny. The Story of Don Giovanni, ACT I Late one evening outside of the old nobleman Commendatore's palace, Leporello (Don Giovanni's servant) is keeping watch as Don Giovanni tries to seduce Commendatore's daughter, Donna Anna. Another legend says Mozart flirted with all three sopranos in the opera. The scene is so powerful that many performances in the 1800s ended with Giovanni’s descent into hell rather than with Mozart’s light final scene. As she berates him, the dismayed Giovanni sneaks off. A room in Donna Anna's house. Plays, operas, and even a ballet were produced on the theme by the time Mozart and da Ponte started work on their opera. Sie lässt Ottavio schwören, den Tod des Komturs zu rächen. When Giovanni becomes angry, Leporello changes the subject to Giovanni’s catalogue of women. Delighted, Giovanni orders a huge party (“Finch’han del vino”) and goes off to prepare for it. The libretto was written by Lorenzo da Ponte. She tells Ottavio what happened to her on the night her father was killed and again begs him to seek vengeance (“Or sai, chi l’onore”). Zwischen Donna Anna und Don Giovanni kommt es zum Streit; unvermutet taucht auch noch Annas Vater, der Komtur, auf, der die Ehre seiner Tochter verteidigen will. Other plays were also written. Elvira is left alone. Hier zeigt opernfan.de alle wichtigen Infos rund um Mozart's Liebesoper. The music was written by Wolfgang Amadeus Mozart. It was a great success. In the garden outside the Commandant’s mansion. Thursday, October 31, 2019. He invites everyone to enter his castle to eat and drink. He runs away with his servant Leporello. It was performed in Rome the same year. Don Giovanni. Da Ponte gave him Don Giovanni. They hide behind a wall. Amazon Price New from Used from Audio CD, Import, Sept. 23 1997 "Please retry" CDN$ 11.99 . Der Verführer und Gotteslästerer, Don Giovanni, maskiert sich, um Donna Anna, die Verlobte Don Ottavios, zu verführen. At that time, da Ponte promised to write a libretto for Mozart. This passage is also played when the statue of the Commendatore calls for Don Giovanni to repent at the end of the opera. Sein untrüglicher Sinn sagt ihm, dass eine Frau in der Nähe ist. The ballroom in Don Giovanni's palace. They promise to bring the murderer to justice. But when one of his conquests ends in murder, he sets off a chain of events that takes him forever closer to his bitter fate. It has been delighting audiences ever since its premiere in 1787. [7], The first opera was a French one written in 1713. Scene 6. When they hear Giovanni approaching, Zerlina becomes agitated, and Masetto, suspicious, hides so that he can watch them. [2] It was a great success. Hell opens. See all 3 formats and editions Hide other formats and editions. Leporello, having made Giovanni promise not to punish him for speaking freely, tells him that his life is scandalous. In 1581, the first play about Don Juan was written in Spanish by Juan de la Cueva. [16], From Simple English Wikipedia, the free encyclopedia, https://simple.wikipedia.org/w/index.php?title=Don_Giovanni&oldid=6234876, Creative Commons Attribution/Share-Alike License, 1934: Ezio Pinza (Don Giovanni), Rosa Ponselle (Donna Anna), Maria Müller (Donna Elvira), Edita Fleischer, (Zerlina) Tito Schipa (Don Ottavio), Virgilio Lazzari (Leporello), Louis D'Angelo (Masetto), Emanuel List (Commendatore); The Metropolitan Opera Orchestra and Chorus, Tullio Serafin - (Andromeda); (Live performance), 1936: John Brownlee (Don Giovanni), Ina Souez (Donna Anna), Luise Helletsgruber (Donna Elvira), Audrey Mildmay (Zerlina), Koloman von Pataky (Don Ottavio), Salvatore Baccaloni (Leporello), Roy Henderson (Masetto), David Franklin (Commendatore); Glyndebourne Festival Orchestra and Chorus, Fritz Busch - (EMI Classics), 1937: Ezio Pinza (Don Giovanni), Elisabeth Rethberg (Donna Anna), Luise Helletsgruber (Donna Elvira), Margit Bokor (Zerlina), Dino Borgioli (Don Ottavio), Virgilio Lazzari (Leporello), Karl Ettl (Masetto), Herbert Alsen (Commendatore); Chor der Wiener Staatsoper, Wiener Philharmoniker, Bruno Walter - (Urania); (Live performance), 1942: Ezio Pinza (Don Giovanni), Rose Bampton (Donna Anna), Jarmila Novotná (Donna Elvira), Bidu Sayão (Zerlina), Charles Kullman (Don Ottavio), Alexander Kipnis (Leporello), Mack Harrell (Masetto), Norman Cordon (Commendatore); The Metropolitan Opera Orchestra, Bruno Walter - (Andromeda); (Live performance), 1950: Tito Gobbi (Don Giovanni), Ljuba Welitsch (Donna Anna), Elisabeth Schwarzkopf (Donna Elvira), Irmgard Seefried (Zerlina), Anton Dermota (Don Ottavio), Erich Kunz (Leporello), Alfred Poell (Masetto), Josef Greindl (Commendatore); Chor der Wiener Staatsoper, Wiener Philharmoniker, Wilhelm Furtwängler - (EMI Classics); (Live performance), 1955: Cesare Siepi (Don Giovanni), Suzanne Danco (Donna Anna), Lisa Della Casa (Donna Elvira), Hilde Gueden (Zerlina), Anton Dermota (Don Ottavio), Fernando Corena (Leporello), Walter Berry (Masetto), Kurt Böhme (Commendatore); Wiener Staatsopernchor, Wiener Philharmoniker, Josef Krips - (Decca), 1958: Dietrich Fischer-Dieskau (Don Giovanni), Sena Jurinac (Donna Anna), Maria Stader (Donna Elvira), Irmgard Seefried (Zerlina), Ernst Haefliger (Don Ottavio), Karl-Christian Kohn (Leporello), Ivan Sardi (Masetto), Walter Kreppel (Commendatore); RIAS Kammerchor, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay - (Deutsche Grammophon), 1959: Eberhard Wächter (Don Giovanni), Joan Sutherland (Donna Anna), Elisabeth Schwarzkopf (Donna Elvira), Graziella Sciutti (Zerlina), Luigi Alva (Don Giovanni), Giuseppe Taddei (Leporello), Piero Cappuccilli (Masetto), Gottlob Frick (Commendatore); Philharmonia Orchestra and Chorus, Carlo Maria Giulini - (EMI Classics), 1959: Cesare Siepi (Don Giovanni), Birgit Nilsson (Donna Anna), Leontyne Price (Donna Elvira), Eugenia Ratti (Zerlina), Cesare Valletti (Don Ottavio), Fernando Corena (Leporello), Heinz Blankenburg (Masetto), Arnold van Mill (Commendatore); Wiener Staatsopernchor, Wiener Philharmoniker, Erich Leinsdorf - (Decca), 1966: Nicolai Ghiaurov (Don Giovanni), Claire Watson (Donna Anna), Christa Ludwig (Donna Elvira), Mirella Freni (Zerlina), Nicolai Gedda (Don Ottavio), Walter Berry (Leporello), Paolo Montarsolo (Masetto), Franz Crass (Commendatore); New Philharmonia Orchestra & Chorus, Otto Klemperer - (EMI Classics), 1967: Dietrich Fischer-Dieskau (Don Giovanni), Birgit Nilsson (Donna Anna), Martina Arroyo (Donna Elvira), Reri Grist (Zerlina), Peter Schreier (Don Ottavio), Ezio Flagello (Leporello), Alfredo Mariotti (Masetto), Martti Talvela (Commendatore); Tschechischer Sängerchor Prag, Orchester Des Nationaltheaters Prag, Karl Böhm - (Deutsche Grammophon), 1968: Gabriel Bacquier (Don Giovanni), Joan Sutherland (Donna Anna), Pilar Lorengar (Donna Elvira), Marilyn Horne (Zerlina), Werner Krenn (Don Ottavio), Donald Gramm (Leporello), Leonardo Monreale (Masetto), Clifford Grant (Commendatore); The Ambrosian Singers, English Chamber Orchestra, Richard Bonynge - (Decca), 1973: Ingvar Wixell (Don Giovanni), Martina Arroyo (Donna Anna), Kiri Te Kanawa (Donna Elvira), Mirella Freni (Zerlina), Stuart Burrows (Don Ottavio), Wladimiro Ganzarolli (Leporello), Richard Van Allan (Masetto), Luigi Roni (Commendatore); Chorus and Orchestra of the Royal Opera House, Covent Garden, Colin Davis - (Philips), 1977: Sherrill Milnes (Don Giovanni), Anna Tomowa-Sintow (Donna Anna), Teresa Żylis-Gara (Donna Elvira), Edith Mathis (Zerlina), Peter Schreier (Don Ottavio), Walter Berry (Leporello), Dale Duesing (Masetto), John Macurdy (Commendatore); Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm - (Deutsche Grammophon), 1978: Bernd Weikl (Don Giovanni), Margaret Price (Donna Anna), Sylvia Sass (Donna Elvira), Lucia Popp (Zerlina), Stuart Burrows (Don Ottavio), Gabriel Bacquier (Leporello), Alfred Sramek (Masetto), Kurt Moll (Commendatore); London Opera Chorus, London Philharmonic Orchestra, Georg Solti - (Decca), 1983: Thomas Allen (Don Giovanni), Carol Vaness (Donna Anna), Maria Ewing (Donna Elvira), Elizabeth Gale (Zerlina), Keith Lewis (Don Ottavio), Richard Van Allan (Leporello), John Rawnsley (Masetto), Dimitri Kavrakos (Commendatore); Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink - (EMI Classics). 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